iHeart Media Broadcast Concerts

Nickelback, November 18, 2014

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Director: Bryan Olinger
Lighting, Scenic & Video Designer: Matt Ardine
Nickelback Lighting Designer: Christopher Maeder
Master Electrician: Gern Trowbridge

 

 

TI, October 23, 2014


Director: Bryan Olinger
Lighting & Scenic Designer: Matt Ardine
Lighting Director: Matt Shimamoto
Master Electrician: Gern Trowbridge

Rascal Flatts, May 12, 2014

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Director: Bryan Olinger
Lighting Designer: Matt Ardine
Lighting Director: Willy McLaighlan
Master Electrician: Gern Trowbridge

Arctic Monkeys, June 11, 2014

Director: Bryan Olinger
Lighting Designer: Matt Ardine
Arctic Monkey’s Lighting Designer: Sam MacLaren
Master Electrician: Gern Trowbridge

Kenny Chesney, September 12, 2014

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Director: Bryan Olinger
Lighting & Scenic Designer: Matt Ardine
Lighting Director: Jeff Barco
Master Electrician: Gern Trowbridge

Death Cab for Cutie – You Are A Tourist (Tech Notes)

The first live, scripted, one-take music video shoot. On April 5th, 2011, it aired live on several websites as the first event of its type. The lighting is some of the most technical and creative around. Utilizing LEDs to display video and wireless LED costumes, this video has a unique art-deco meets Tron look.

Director: Tim Nackashi
Lighting Designer: Matt Ardine
Lighting Console Programmer: David Kane
Stage: Line 204
Equipment
Lights
14 – ETC Seledor 1ft & 6ft
4 – Varilite VL3500 Profile
96 – 2.4kw Dimmers
6 – 12kw dimmers
4 – Color Kinetics Color Blaze 72
20 – Color Kinetics iColor Flex String
24 – Color Kinetics Color Blasts
4 – illuminate LED Suits
40 – Source 4
2 – Mole 5k Babys w/ Chimeras
4 – Twinspins
2 – 4’ 4 Bank Kinos w/ DMXControlETC Eos
ETC Ion
Madrix Media Server
2 – ETC Gateways
ETC Show Control Gateway
Wireless Router
Netgear 8 Port Gigabit Switch, Unmanaged
Tablet PC & iPhones as Remotes

The whole music video is live switched and live to air. In the design of the control network, I knew that there needed to be backups. We used an ETC Eos as the main console and an ETC Ion as the backup. The DMX was output from two seperate gateways. There were five universes of lights programmed from the console. The console was also controlling the Madrix media server using Artnet. Madrix was pixelmapping 16 universes of iColor Flex pixel strings for the cloud tunnel in the opening shot. The Color Kinetics Powersupply was controlled via ethernet from the Madrix using the KiNet protocol.

The console used LTC timecode to stay insync with projection and sound. Sound playback gave us an XLR feed that was input into an ETC show control gateway and sent through ETCNet3 into the console.

DCFC Network Diagram

Death Cab for Cutie – You Are a Tourist

Director: Tim Nackashi

Lighting Designer: Matt Ardine

 

The first live, scripted, one-take music video shoot. On April 5th, 2011, it aired live on several websites as the first event of its type. The lighting is some of the most technical and creative around. Utilizing LEDs to display video and wireless LED costumes, this video has a unique art-deco meets Tron look.

 

Click here for more info. 

Childish Gambino – 3005 – Woodies Performance – Tech Notes


LED Designer: Matt Ardine
Costume Designer: Elise Valasco
LED & Battery Supplier: USLEDsupply
Wireless Control: RC4 Wireless
RC4 did a showcase on this project. Click Here
Lighting Gear
900 – 12V LED RGB Digital Pixel Light Square
18 – WS2801 DMX Decoders
36 – 1800ma Battery Pack
24 – RC4Magic DMXio data transceivers
2 – DMX2dim 2-Channel Wireless Dimmer
2 – Cool white LED strips
1 – GrandMA2 Command Wing
1 – GrandMA2 NPU
There were a number of difficult technical decisions that had to be made. Which LEDs should be used and how many per person? What minimally sized battery will run these for enough time and how many spares should there be? What wireless solution can transmit such a large number of channels?
For LEDs, I knew I wanted medium sized pixels that were 12 volts. USLEDSupply has a great product that can put 50 LEDs on a single string. It also used the WS2801 protocol which is a much higher resolution of dimming that other protocols.
I told USLEDSupply the run time I needed for the strings of 50 LEDs and they recommended their slim, 1800ma battery pack. We also had a spare battery for each primary battery so that one could always be on charge and ready to swap. During testing, the batteries lasted around 5 hours.
With 900 RGB LEDs that needed data (2700 DMX channels), I needed a reliable wireless data system. The receivers also needed to be very small to fit in the belt packs that were created to house the batteries, decoders, and receivers. After speaking with Sean Dane at RC4 Wireless, I determined that their system is the best for this application. For each universe, there was a transmitter linked with 3 receivers. There were 6 universes total, so this allowed for 6 transmitters DMXio acting as transmitters and 18 acting as receivers. The receivers, being 12v, were able to run off the same batteries as the LED decoders. Last minute, we added LED ribbon to the shoes. Litegear, in Burbank, CA supplied us with 2 RC4 Wireless DMX2dim 2-Channel Wireless Dimmers that were cut into the heel of the shoe along with a flat battery.
For testing, I used a GrandMA2 Command Wing, but quickly realized I was above the parameter count. I realized the virtual dimmer takes from the parameter pool. So Matt Shimamoto, at Volt Lites, was able to get a NPU to me on a Sunday. With the NPU, i was able to do distance range tests with all the suits up and running. The costumes were shipped to Austin where a local crew and programmer did the programming for the show.
IMG_5871 IMG_5874

Childish Gambino – 3005 – Woodies Performance


LED Designer: Matt Ardine
Costume Designer: Elise Valasco
For the 2014 Woodie Awards, Childish Gambino wanted to have a grand entrance to the stage. After seeing the Death Cab for Cutie video, director Hiro Murai contacted me to design the LED costumes for Childish Gambino and 8 costumes and 8 instruments for the marching band. Working with Elise Valasco, we pulled this massive feet off in a matter of 4 days from planning to shipping the costumes to Austin for the show. It ended up being over 900 RGB LEDs that are wirelessly controlled.

iHeartRadio Music Festival 2014: Artist Lineup Announcement TECH NOTES

Directors: Bryan Olinger
Lighting Designer: Matt Ardine
Lighting Rentals: Volt Lites

Lighting Gear

36 – GLP Impression X4
12 – Phillips SL660
8 – Phillips SL640
6 – 6 Light Cyc Strips
2 – PRG Best Boys
8 – Source 4 19 degree
1 – Alphaspot 1500HPE
1 – 4’x2′ Hyrbid LED Panel

GrandMA2 Full
GrandMA2 OnPC
GrandMA2 Command Wing
1 – GrandMA2 NPU
2 – PRG MBOX Studio
3 – Optosplitter

We filmed this promo at the iHeartRadio Los Angeles Theater. We used some parts of the house plot but most of the shots consisted mainly of the X4’s and Philips Showlines. The in house LED screens were also programmed using MBOX’s but those shots didn’t make it in the edit. The hallway set used the source fours for the legacy fly rail, an alphaspot for the back wall, and we hung a Controllable Lighting Solutions LED panel overhead to create soft top light for Ryan. All was programmed using a GrandMA2 full with a Command Wing as backup and tech console.

iHeartRadio Music Festival 2014: Artist Lineup Announcement

Directors: Bryan Olinger
Lighting Designer: Matt Ardine

For the 2014 festival announcement, iHeartRadio wanted to create a fast paced promo that got the viewers excited for the festival. Director, Bryan Olinger, shot with 3 cameras that were constantly moving. I designed a semicircle of lights and truss to make sure that there was always a dynamic background.

Click here for more technical info.

Baldy Marathons

I signed up for Baldy Marathons 100 mile race. On April 30th 2017 at 8:45am, after almost 23 hours since I started, the Baldy Marathons was my first DNF (did not finish). That day was the perfect example of planning for absolutely everything but forgetting one important detail.

The Baldy Marathons is a crazy race put on by Aaron Sorensen on Mount Baldy and the surrounding peaks. It’s hard to describe. It’s a 20 mile loop course where each loop has 10k feet of climbing. It has no aid stations, no trail markers, and 95% of it is not even on trail maps. It has areas of sheer cliffs with descents and ascents of more than 1300’ in a mile. It’s not an ultramarathon but it’s not an orientating event. Its closest comparison is Barkley Marathons.  This being said; I knew exactly what I was signing up for.  I have done another 100 mile race before and it took me 24 hours and 51 minutes. For the same distance, on this course, I expected 54 hours.

Elevation chart

During the month before the race, I scouted the whole loop and had completed the first half of the loop and the second half of the loop separately. For the first half, I had Aaron Flynn with me and, reading the website’s directions, we managed to find most of the course. We ended up being the only people ever to scout the whole course and ever come back for the race. Completing the loop in sections gave me vital information about timing out my 100 miles.  With 3 one hour naps, I would complete 5 loops in 52 hours and 50 minutes. I would burn 32,000 calories. I planned when I would change socks, when I would reapply body glide, and I packed bags of food for every time I reached my car. Each bag had the perfect number of calories for the upcoming section.

Prepping food bags

To make sure that you reach all the checkpoints, you have a punch card. When you reach a checkpoint, you punch a hole with the unique puncher that is attached to the checkpoint. There are five checkpoints; B-A-L-D-Y. So in addition to staying on course, you have to locate a tiny puncher located under a rock or log. With all this knowledge and prep work, the day had come.

Freezing cold ski lift ride to start line

At 8:30am in the morning, I took the ski lift up to the lodge. In the lodge, I introduced myself and asked around as to how many loops people were planning on. I wanted to know who I should try to stick with for the next 54 hours. At 10am, I started with around 15 people. (Another 12 had started at 9am). Everyone started walking but “Beginner’s Hill” isn’t very steep. So I decided to jog up it. Most people continued walking. Going up the hill, I was talking with Adam Talen and his friend, who were only planning on 1 loop. I knew that as long as I keep my heart rate below zone 3, I could continue to jog. Then we got to the base of the second peak, GPS #2. You can take the many switchbacks around to get up or take the straight up ridgeline. I chose to take the ridge and when I looked below, I had a bunch of people following me. I wonder if they took it because they saw me do it or they weighed their options as well and decided that it was the best route. When I got to the top, I looked down and knew that now is where the shit starts.

Going up the first peak, taken by Aaron Flynn during our training run

Before I ever heard of this course, I never knew that there was another way down this peak. But Aaron, the race director, said there is and made a map of it, so that’s good enough for me. This section is called Eric’s Plunge. It’s a knife ridgeline with a steep dropoff on the left. There is very little footing and jagged rocks. 99% of the people in this world would never go down it. But this race isn’t for them. It’s for people like myself that like to test their own courage and will power to do things that are uncomfortable. So I take the plunge off of a groomed trail and into an area of Baldy that isn’t on the map. I wouldn’t be on a mapped trail until another 3 hours.

Satan’s Ridge, taken by Aaron Flynn during our training run

During this off trail period, you are constantly in battle with your mind whether you are in the right section. To me, this is the hardest part of the course.  There are a ton of places to get lost and many of these places will lead to cliffs or areas that you cannot get out of without extreme effort. And that’s what happened to me. At one point, you are supposed to take a 45 degree left hand turn down a hill that has no distinct path or ridgeline.  I knew where this point was and I was there. And so was a 4’ long rattle snake that wouldn’t move off. He warned me to stay back and I did. I dropped down from the horizontal ridge line 10’ before the point that the rattlesnake was protecting. And I took a 90 degree left turn. After 20 minutes of going down 800’ and 0.5 miles, I began to see giant cliffs with no way around them. I realized I was in the on the complete wrong side of a ridge. So I climbed a half hour back up this very steep and dangerous hill. There was a strong thought in my mind during this period that this course is absurd and I should quit. I was in fear that this was going to happen to me over and over. But then I came up with the reasoning that these thoughts are going to continue if I don’t find someone to stick with.  As soon as I got all the way back up to the top, I saw 2 runners trying to find the place to drop down. I told them to follow me as I knew what I had done incorrectly.  Getting from this ridge to Hades is THE hardest part of the course to navigate as there are a ton of places to get lost and you can’t see in the distance the correct way to go.  These two men came from out of town to do the race. Ian, is from Taiwan and the other guy is from New York City. They had a pretty slow pace and for every section that I jogged, I would wait for them. As soon as I brought them to Hades, I ran ahead in search for another person to tag along with.

Hades is a distinct V shaped valley that is filled with boulders and rocks; you can barely see any dirt. You are going downhill for 1.8 miles jumping from rock to rock. I love this section because there is no way to get lost and no navigating needed. I met up with two runners from Chicago; Rachel and Matt. Both had plans to compete 100 miles. They were prepared to be out there for 60 hours, they had a great pace and a great attitude.  They were a little slower than my pace in some sections but I decided it was better to stick with them than go ahead alone. Good thing I decided that because when we came to the letter B, I couldn’t find it for the life of me and Matt did. So already, I was realizing the advantages of being in a group.

Hades, taken by Aaron Flynn during our training run

After we got out of Hades, we came to my second least favorite section. It’s called Upper Plateau and Impending Doom. It would be a super easy flat run to a 600’ foot climb but the whole thing is completely packed with plants that want to stab you all over your body. And they do. The trick to this part is to try to connect little sections together to minimize the blood loss. Wearing pants for this section was night and day. When I scouted the course a week prior, I wore shorts and lost a lost of blood. This time, I worn pants and lost little blood. Matt took the lead and found a great path through the shit. And by “great” I mean still really awful but much better than I did before. Aaron says that he can make it through this section without a scratch but I think that’s bull shit. Getting to Baldy road at the top of Impending Doom is the most satisfying summit in the whole course, despite it only being a 600’ climb.

Emilio’s

A short 0.5 mile run down a fire road brings you to Emilios Climb. It’s a no nonsense straight up climb up a ridge line. I had already done it twice in training and came up with the rule that you don’t follow any paths. Just stay on the ridge and go up; anything sideways makes you go lower and makes the climb even longer. In the middle of this climb, we reached the letter A and punched that into our card. When you reach the top, Candyland, you have gone up 2200’ over the course of 1.8 miles. We did that climb in 1:15. Then it was a short run down to Aaron’s Pad to check in and refill water. First half of loop 1: Done in 5:50. I had planned on 6:15, so things were looking great!

Now it’s 1.3 miles downhill under the ski lifts to my car where I load up food for 10 hours. According to my plan, I won’t be back at my car for another 9 hours and 50 minutes. My bag weighs at least 20 pounds at this point. During my training runs, I have learned that it is near impossible to eat too much on a run. When I have eaten too little, I really feel my energy dip. A big goal of this race was to stuff my face, which I was doing great with. When I started the race, my bag was packed with food for 6.5 hours and I ate it all. I punched the letter L behind the painted rock and was ready for the next part of this crazy course.

Group selfie heading up the Big Climb

Baldy Peak

After gathering a group of 7 racers, we headed up Ginnys Crawl then into the Big Climb. 7 of us searched for the letter D but couldn’t find it anywhere. We took a group selfie to prove that we were all there.  The big climb is another steep and cheap trail; 2700’ feet of gain over 1.4 miles. I did it in 1:30. At this point it was 50 degrees with 35MPH winds with some gusts that got above 50MPH.  The only way to stay warm was to keep moving in a fast pace. From there, we went up another 1000’ to the summit of Baldy. Then we dropped down the backside trying to find this new ridge coming off the left that I have never heard of or seen. We searched everywhere in the first quarter mile of the drop. I saw a tree lined ridge in the distance but it was so far away and looked dangerous. I was just about to give up on finding the letter Y until we saw Ginny who pointed us to the ridge. I would have never guessed that we were supposed to go down there. I found Y, the last letter! I climbed 1300’ back up to the top of Baldy just as the last light of the Sun vanished.  I went pretty fast up to the peak because I was freezing cold and left my pack with my flashlight on the summit. So when I reached the top, I was way ahead of everyone but I wasn’t sure whether they knew exactly the way back. I laid down in a rock pile cove to shield myself from the wind. I sat there for at least 5 minutes and no one came up and I couldn’t stop shivering. I decided to leave and go back to Aaron’s pad by myself. It’s a single 2.8 mile marked trail from the summit to Aaron’s pad.

The last of the sun for day 1

When I arrived, I finally finished loop 1! I got there at 9pm, making it a total time of 11 hours for loop one. I had scheduled 9:45 but my 45 minutes of getting lost in the beginning and the difficulty of getting Y had not been factored in. Despite being slower than anticipated, I felt great and was ready for 4 more loops. Aaron asked me if I was going to do loop 2 and I said “Of course!”  But I had made the decision that I wasn’t going to go out in the dark by myself, especially in the Eric’s plunge/ Satans ridge area.

20 minutes later, Matt came in. Then another 20 minutes later, 2 other guys came in. One was Gus Safar and I couldn’t remember the other guy’s named. Neither had passed Rachel on their way back from the summit. “That’s not good.”, I thought. There were a couple things that could have happened. First, she fell and was hurt somewhere. Second, she went down ski hut (Baldy Bowl) trail. I have accidently gone down that trail myself once. So it seemed pretty likely that’s what happened. We waited for her to realize this, retrace her steps, then arrive back at Aaron’s pad.

At this point, I had realized that there was no one left that was going to start a second loop besides Matt and Rachel. 4 people were at least 2 hours ahead of me on their second loop and anyone behind was very unlikely to start loop 2. My 2 options seemed to be: go by myself or wait for Rachel and Matt. After another hour of waiting; we decided we needed a gameplan to figure out what had happened to Rachel. We thought that there was a good chance that she took Ski Hut trail and went all the way to the bottom and was waiting at the car. So we ran down 1.5 miles there and she wasn’t there. I then drove us to Baldy village restaurant to get on wifi. We got messages saying that she was now at Aaron’s pad and that she wanted to continue. So we drove back up to Baldy. When we got to the parking lot, Michael Dominguez was there sleeping in his car. He said that he was waiting for me and wanted to run with me. This was news to me! So the 3 of us hiked up the 1.5 miles to Aaron’s pad. Right before we got there, Rachel was on her way down and said she was in fact done. I was not. Michael and I went to Aaron and told him I was continuing onto loop 2! By this point it was 1:45am and almost 5 hours have passed since I had finished lap 1. We set out in the middle of the night on lap 2 with my new goal of finishing 100k.

Michael

I was really nervous about doing a night loop with someone that didn’t know the course at all. Especially the first half, which is really hard to navigate and really dangerous.  Coming down Eric’s Plunge at night looks completely different than going down it during the day. I was constantly checking my phone to see if I was in the right area. Many times, I was several hundred feet off from where I should be and we constantly had to adjust so that we would drop down into the correct canyon and avoid the cliffs. Reaching Hades was a giant relief but it took us way longer to get there then it should have. We found the letter B after wasting 20 minutes trying to find it because every tree and boulder looked the same when you can only see what’s within the circle of light from your headlamp. When we exited Hades, the sun had finally risen. It was beautiful seeing the sunrise from such a remote area. The path we took through Upper Plateau to Impending Doom was horrible. It also took way longer than it should have. Getting to the Baldy Rd was a giant relief. We took off our night clothes and got ready for Emilio’s. During the whole time going up Emilio’s, I was doing math in my head to figure out time cut offs. I knew I was very close to not making the cut off for loop 2 or loop 3. We finally made it to the top then headed down to Aaron’s pad. It was 8:45am. The first half of the first loop took me 5:50, the first half of the second loop took me 7 hours! Despite taking longer than I wanted, I still felt great and was ready to continue after a 1 hour nap.

First light in the sky as we exit Hades, photo by Michael

Sun rising over Upper Plateau, photo by Michael

 

Emilios, photo by Michael

The cutoff for finishing loop 2 was 12:40pm, so I only had 4 hours to finish the second half. During the first loop, it took me 5:10 to do that section and I really needed a 1 hour nap. That would bring me in at 2:45pm. So that wasn’t going to happen without a miracle. My other option was to go for the 100k, which I needed to finish by 2am. I estimated that another loop and a half would take me 17 hours plus I needed at least a 1 hour nap. So that would have had me done by 2:30am on Monday morning. I wouldn’t have made the 100 mile cutoff either. After coming to the realization that if I continued, it was very unlikely to make the time cutoffs, I decided to call it quits. Now that I type this and do better math, I realize that there was a chance I could have made the 100k cutoff but at that moment at 8:45am after almost 24 hours my math skills were horrible and I didn’t take the chance.

After more than 50 races, Baldy Marathons is my first DNF. I always thought that my first DNF would involve me vomiting blood, a broken leg, heat stroke, insufferable blisters, or anything horrible like that. I really wanted my first DNF to be one of those. It’s a way better story than running out of time.

So what was the detail that I overlooked? I just assumed that having a running partner would all work out. As in most races, there are usually a bunch of people ahead of you and behind you that you can run with. But this day, only 5 people remained that were going to start a second loop and 4 of them were at least 2 hours ahead and the 5th one was me.  I never planned out the night running. I hate running at night by myself on my own local trails, never mind super dangerous trails. I should have asked runner friends to pace me for each night. Had I done that, Michael would have met me at Aaron’s lodge and I could have started loop 2 at 9pm. Instead, I started at 1:45am.

What else did I learn from this experience?  The wind is brutal. I should have used chapstick and eyedrops or a ski masks. My eyes were in so much pain the remainder of Sunday. I learned that stuffing your face with a variety of food and making that a priority works well. I learned that it’s better to stop and empty out rocks from your shoes instead of developing blisters. And maybe I should get a pair of gaiters. What I was hoping to learn from this race was my true breaking point. Since I started running in 2010, I keep trying to find new races that are increasing in difficulty. I like to test myself. This race was supposed to either be me doing the impossible or me finding that point where I couldn’t take another step. I haven’t done either. But I did learn another valuable lesson in completing long races; either be ok with running all night and day by yourself or plan out pacers for times where you will need someone.

In the end, I did 31 miles with 16,000’ of climbing. Two people this year finished 100k. And only 4 people have ever finished the first half of loop 2. I am one of those 4. Will I do this race again? Too early to tell. I have Angeles Crest 100 coming up in August. My goal there is to avenge 24 hours. After that race is over, I’ll decide whether I’m willing to take Mt Baldy up on it’s “impossible” challenge again.

Aloe Blacc – Love is the Answer tech notes

Click here for the interactive video.

Directors: Radical Friends
Director of Photography: Matthias Montero
Lighting Designer: Matt Ardine
Lighting Console Programmer: Derek Hoffman
Best Boy Electric: Tyler Anderson
DMX Tech: Heather Newson
Lighting Rentals: Cinlease
Lighting Rentals: Volt

Lighting Gear

2 – 30w Lasers
2 – 22w Lasers
8 – 24×2.4 kw dimmer packs
12 – Source 4 Lustre
12 – Colorforce 72
4 – Colorforce 12
4 – Sharpys
3 – Atomic 3000s
50 – Pixel Nodes
12 – Pixel Tubes
2 – Arri L7
1 – Arrimax 18k
3 – Arri M40
10 – Litegear Litestix

GrandMA2 Full
GrandMA2 OnPC
GrandMA2 Command Wing
2 – GrandMA2 NPU
2 – TMB Proplex Fiber Switches
750′ Multimode Fiber
1 – Wireless Router
10 – Optosplitter
2 – RC4 Wireless Dimmers/Receivers
7 – WDMX Transeivers

The challenging part of this video was getting all 16 sets lit and that every light can be controlled and cued from anywhere in the huge building. We decided on using 2 GrandMA2 desks and a seperate computer running OnPC software. The OnPC computer acted as the master and the 2 desks could connect and disconnect anywhere within the building without any interruption in DMX output. The two racks of NPU’s were connected with fiber since their distance exceeded ethernet’s limit of 100 meters.

Another challenge with the large space was getting WDMX to be able to be received throughout the building. There was an onboard camera light that was a Litegear Hydrid Pad and a Jem Ball with 5 meters of Litegear Hybrid ribbon inside. Both were operated on batteries and used RC4 dimmers/receivers. Since RC4 only has a 200′ range, an electrician used a backpack as a roaming repeating station with a WDMX receiver sending data to the RC4 transmitter. This controlled allowed Matthias to be able to dim and change the color of the camera lights from anywhere in the building.

photo

lincoln_diagram

Aloe Blacc – Love is the Answer

Click here to watch the interactive video

Directors: Radical Friends
Director of Photography: Matthias Montero
Lighting Designer: Matt Ardine

This interactive music video had the challenge of lighting 16 different sets of Park Plaza at once. Working with Director of Photography, Matthias Montero, we designed the lighting for 4 characters as they pass through the different rooms culminating in the dance finale in the main lobby. The main challenge on this project was getting all the sets up and programmed with short preproduction time.

Click here for more technical info.